History Of The BFI
By Kendra Santos, BFI
Correspondent

Just two short decades ago, this day was
only a dream. Team roper/Ropers Sports News publisher Bob
Feist had a theory that the roping world would rally around
the world's toughest talents. Back then, as a spectator at a
few tennis matches, he noticed that the crowds were full of
tennis players & future to former. The fans represented
every skill level in the sport, but had something in common:
they loved the game.
"I wanted to look at team roping from
the ropers and spectators point of view," said Feist, who
has since added rodeo announcing to his repertoire.
So he did. He disregarded the skeptics and
set out to build the greatest open roping in the world.
Using rodeo conditions as the model of how
not to format the perfect roping, he gathered up good steers,
set the scoreline out there a ways to make it a horseman's
roping, too, and made the BFI a multi-round average to lessen
the "luck of the draw" factor that so strongly
affects one-headers.
"When we would practice roping &
when all we had to do was catch & we set things up right
and roped every steer," Feist remembers. "The great
ropers' true talents didn't always shine through at the
rodeos, where it seemed like 50 percent luck the way you had
to reach and rope so fast. You also had to draw the right
steer to win."
With terms too good to pass on, people
understood the attraction for the ropers. But would roping
fans actually buy a ticket to watch?
"I just know that when I competed, any
time I was at a jackpot, we stopped whatever we were doing
when we heard names like Camarillo and Rodriguez (at ropings
like Oakdale, Chowchilla, Riverside and Dr. Lane Falk's in
Modesto, Calif.)," Feist said. "Whether you were
drinking a Coke or playing pitch (cards), you made a point of
watching them rope. Good, smooth roping is an artistry and
it's a great spectator sport."
Feist put his neck on the chopping block
when he advertised the first-ever BFI in 1977. He invited the
40 premier teams in the country, and, after a long talk with
his banker, guaranteed a $40,000 payoff. The first BFI was
held in Chowchilla, Calif., where the roomy arena allowed for
a 35-foot score. (Feist's one regret is that current
conditions only allow for an 18-foot score.)
The roping was an instant hit with the
ropers, but as determined as Feist was to stay out of their
pockets (he continues to hold out just five percent for
"administrative costs," a percentage that only
starts to cover his cattle and personnel costs), he was
dipping deep into his own wallet.
"The BFI was financially unstable for
several years," Feist remembers.
Sponsor support was a tough sell at first.
The BFI was sailing on unchartered waters, after all. What
Feist was proposing had never been done.
"I put my name on the roping to start
with hoping a sponsor would come in and replace it with
their," he said. "But there were no takers. After
about five years, there were a lot of takers. But by then I
decided to keep it. We have great sponsorship support
now."
The BFI was an invitational roping for seven
years, with Feist hand-picking the world's best ropers. He
looked high and low for talent and didn't discriminate. If a
guy worked on a ranch in the middle of Montana and could
really rope, he was in. It didn't matter who he was or who he
knew.
"The BFI was like a big, private party
at first," Feist said. "But after I got hurt in
1980, when I started announcing more and roping less, I didn't
have as good a handle on who the up-and-comers were. I also
started getting a lot of calls from parents and grandparents
trying to pressure me into letting their kids and grandkids
rope. It finally just got too political, so I decided to open
it up to the world and let the first 100 teams that entered
rope." (Feist now accepts 110 teams to allow for
last-minute emergency draw-outs.)
The first four BFIs were held in Chowchilla.
The BFI moved to Las Vegas in 1981, then to Denton, Texas, in
1982. That fall, Feist and Hartnell College student Bill
Wittmer were in a car accident while on a fishing trip in
Alaska. Wittmer died, and Feist just wasn't up to a 1983
event. At that point, the BFI was on its last leg.
"Then one day in 1984, I got a Federal
Express envelope from Perry Bigbee," Feist remembers.
"In it was a note that said, ÔHave this thing & the
ropers need it.' Also a check was in there with the
note."
It was the boost the BFI needed to get back
on track.
"The BFI wouldn't have kept going
without Perry Bigbee's moral and financial support,"
Feist now says matter-of-factly. "He said it was the
closest thing to perfect for the open roper."
In today's world of point ropings that
basically handcuff the big dogs & a world in which
National Finals Rodeo qualifiers are struggling to make ends
meet & the BFI is gold. If you rope for a living, you're
in Reno for the rodeo anyway. And if you don't beat yourself,
you can ride away rich.
The BFI has called Reno home since 1984,
though the roping was held outside in the rodeo arena the
first several years.
"We moved it inside to remove the
weather factor," Feist said. "One year when we were
outside, the weather was atrocious. It rained, hailed, sleeted
and the wind blew. It was typical Reno weather & three
seasons in one day. It was terrible to see guys roping for
that kind of money in those conditions."
Salinas & home of the great California
Rodeo & was Feist's other original site finalist. he loved
the big arena. But Reno won out because of factors like
airport accessibility and stall facilities. Reno's casinos
also wanted in on the BFI act.
The BFI's always been held on Monday. Feist
scheduled it that way from the beginning because he didn't
want to step on any existing ropings or rodeos' toes. It's
also easier to get hotels excited about events that attract
guests for customarily slow nights on Sunday and Monday.
Feist says BFI spectators have done as much
for the roping as the contestants. You show up in record
numbers each year to take in the richest one-day roping in the
world.
"I really enjoy working with the
contestants, too," he said. "They're professional
and appreciative. Even when they don't win a nickel, they come
by and tell me, ÔThis is the greatest roping in the
world.'"
The BFI has stood for the best of the best
& ropers, to prizes, spectators to sponsors & from the
start. It hasn't always been easy. But Feist hasn't cut a
corner yet.
"I'm so proud that the BFI is a roper's
roping," Feist said. "I wanted this to be a great
roping, but I didn't think I'd be the one who would take it to
this height. I thought someone else would take it and run with
it.
When I started the BFI, everyone said I was
nuts. Now it's the ultimate. The talent pool's never been
deeper at this roping than it is today. This is anybody's
roping. So sit back and enjoy it. We wouldn't be here without
you."
For more
information on the BFI, call 209-333-2924.
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